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PERSIST AND ENDURE:
Portraits of Child
Holocaust Survivors
Mizel Cultural Arts Center, Denver, Colorado 2008 ![]() Project: Portraits of Child Holocaust Survivors
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In 2003, sparked by a discussion on racial stereotypes and aging in my Figure Painting class I began developing my project on Portraits of Child Holocaust Survivors. After wrestling with the subject of the Holocaust in my art beginning in graduate school, I had finally found a way to deal with a subject of such magnitude through the simplicity of a drawn portrait. I have interviewed twenty-five people in Denver, Chicago and Los Angeles. Finding people to pose can be a challenge; it was especially so in the beginning. I have found people by networking through friends, family and colleagues. I have also met them in chance encounters at my son’s Wednesday night orchestra rehearsals and an antique store. One survivor was selling hot dogs from a cart on the University of Denver campus. Many of the people describe the reasons they survived as chance, fate and luck. I see a parallel in the serendipitous way I find survivors. As an artist I feel the medium of drawing is ideal. It can be very intimate and can capture the intangible qualities of an individual. A drawing, with all its quirky lines, marks and smudges, is a document not only of the subject, but of the artist as well. The artist becomes a witness, and as the number of survivors dwindles artists can take an important role in the documentation of the Jewish Holocaust. My goal in this project is to create portraits of people at this moment in time. I am not interested in making then look like victims or heroes. I am interested in capturing their humanity and in depicting very real people who have lived extraordinary lives and also very ordinary lives. The early works are done in conté the later ones are all graphite. The works in color are a combination of watercolor, colored conté, and colored pencil. The images are all approximately 9 by 11” and 18 by 20” when framed. . |
Richard Simon
2003
"The Holocaust in its enormity defies language and art, and yet both must be used to tell the tale”
..... Elie Wiesel
Viola Lowen
2003
Esther Wasserman
2003
Don Altman 2003 |
Victor Kord
2003
Natalie Golan
2005
Jack Wlener
2004
Anny Coury
2005
Jack Adler
2004
Steven Metzler
2004
Imre Frankovitz
2004
Ava Kadishon
2004
Edith Stern
2006
Arthur Stern 2006
Sabina Heller
2006
Miriam Brysk
2006
Pessia Kant
2005
Susan
Bender 2003 |
Susan Whitely
2006
Paula Berger
2006 |
Sarah Hollinger
2006
Maurice Blik
2005
David Schichor
2006 |
Jackov Bobruesk
2008
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Rocky Mountain News, June 7, 2008, Mary Voelz Chandler, Art and Architecture Critic